Yegua by Flopi
Ongoing · Wearable art practice
The wearable-art side of the practice: one-of-a-kind hand-painted boots, garments and objects.
Hand-Painted Silk Scarves
Ongoing · Hand-painted silk charmeuse and twill
One-of-a-kind hand-painted silks — scarves, flags and body sculptures activated by whoever wears them.
Love Me Boots
2024–2026 · Hand-painted silk, wearable sculpture
Years of hand-painted silk transformed into wearable sculptures. Painting, textile, sculpture, performance and the body brought into a single work.
FLOCCUS × Florencia Montefalcone
2026 · Handwoven tapestry
A handwoven tapestry created with Floccus, transforming an original drawing of a mare and her foal into a meditation on motherhood, tenderness, strength, and the many meanings held within the word yegua.
Why Are We So Afraid?
2024 · Solo exhibition, textile, performance, participation
First solo exhibition and residency at SUDESTADA, Brooklyn. Visitors were invited to externalize their fears and transform them through textile, writing and ritual.
Words of Silence
2024 · Performance at YBCA for TARAVAT'S closing celebration
Performance at Yerba Buena Center for the Arts for the closing reception of TARAVAT, an exhibition by Taravat Talepasand.
Leaving the Mannequin Behind
2024 · Photographic documentation
A photographic series documenting the construction of a plastic-tape mannequin, interrogating the molds bodies are asked to fit into.
Puedo Ser una Pelota
2023 · Group exhibition, curatorial project
Inaugural exhibition at PELOTA Gallery, San Francisco. Curated by Montefalcone with Alberto Hamonet, Valentin Gattica and Andrew Sungtaek.
as you summon other worlds
2023 · Group exhibition — installation, textile, photography
Group exhibition at Minnesota Street Project curated by Nunca No and Meghan Smith, exploring art as a portal into alternate worlds.
ICA SF × MAC
2023 · Institutional collaboration, hand-painted garments, workshop
Designer highlight with Modern Appealing Clothing during Meantime at ICA San Francisco, including hand-painted garments and a participatory dyeing workshop.
Mitad Peluda y Mitad Pelada
2019 · Photographic essay, life performance
A photographic essay made from a literal experiment: the artist stopped shaving half of her body — one armpit, one leg, half a crotch — and photographed the body that resulted.
En Tetas por el Monte
2019 · Life performance, photographic documentation
A life performance carried out in the Argentine countryside — the body moving bare-chested through open land, outside the gaze that polices it.
Full exhibition history
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